Monday 15 November 2010

Dolls

*Lucia Lacarra as Swanhilde in the ballet Coppélia




Coppélia is a sentimental comic ballet with original choreography by Arthur Saint-Léon to a ballet libretto by Saint-Léon and Charles Nuitter and music by Léo Delibes. It was based upon two macabre stories by E. T. A. Hoffmann, Der Sandmann (The Sandman), and Die Puppe (The Doll). The ballet premiered on 25 May 1870 at the Théâtre Impérial de l´Opéra, with Giuseppina Bozzacchi in the principal role of Swanhilde. Its first flush of success was interrupted by the Franco-Prussian War and the siege of Paris, but eventually it became the most-performed ballet at the Opera Garnier.

The team of Saint-Léon and Nuittier had a previous success with the ballet La Source (1860), for which Délibes had composed the music jointly with Ludwig Minkus.

Giuseppina Bozzacchi as Swanhilde in the Saint-Léon/Delibes "Coppélia," Act I, Scene 2. Paris, 1870.


The story of Coppélia concerns a mysterious and faintly diabolical inventor, Doctor Coppélius who has made a life-size dancing doll. It is so lifelike that Franz, a village swain, is infatuated with it, and sets aside his true heart's desire, Swanhilde, who in Act II shows him his folly by dressing as the doll and pretending to come to life. The festive wedding-day divertissements in the village square that occupy Act III are often deleted in modern danced versions, though one of the entrées was the first csárdás presented on a ballet stage. If Mary Shelley's Frankenstein represents the dark side of the theme of scientist as creator of life, then Coppélia is the light side. If Giselle is a tragedy set in a peasant village, then Coppélia is a comedy in the same setting.

Giuseppina Bozzacchi as Swanhilde in the Saint-Léon/Delibes "Coppélia," Act I, Scene 2. Paris, 1870.

(Text and images via Wikipedia)


*Also, from Takeshi "Beat" Kitano's ravishing and heartrending 2002 film Dolls... (I literally had to hold my tears while watching its premiere at the Renoir Cinema in London...)

Friday 12 November 2010

forgetting if, remember yes

Adolph de Meyer (American, born France, 1868–1949)
view through the window of a garden


in time of daffodils(who know
the goal of living is to grow)
forgetting why,remember how

in time of lilacs who proclaim
the aim of waking is to dream,
remember so(forgetting seem)

in time of roses(who amaze
our now and here with paradise)
forgetting if,remember yes

in time of all sweet things beyond
whatever mind may comprehend,
remember seek(forgetting find)

and in a mystery to be
(when time from time shall set us free)
forgetting me,remember me

~ edward estlin cummings




*Thank you Alain, for this thoughtful and exquisite poem by e.e. cummings. Thank you M♥, for Harmonic Progression of My Sorrow. And thank you Couleurs, for the two beautiful Adolph de Meyer photographs.


Adolph de Meyer (American, born France, 1868–1949)
view through a gateway into a garden
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